As mentioned in Part II, my hands get quite warm and sometimes moist when I spin silk. Not a good combination at all. As the silk starts to stick to my hands, the fibre source becomes disheveled causing the fibre to draft poorly. Several years ago, I decided to see… Read More »Eri Silk, Part III
The handspun textural accents in this scarf were spun from hand-painted eri sliver. The fibre preparation had a silky soft hand and a satiny sheen. Quite a contrast to my first experience spinning eri fibre from India in the early 1980’s. At that time, the traditional degumming process subjected cocoons… Read More »Eri Silk, Part I
First, why load the sliver onto a distaff in the first place? There are several good reasons actually: It gives you a chance to slightly attenuate the sliver if it is compacted from packaging or dyeing. Eri silk is almost as fine as Bombyx. Even the slightest breeze can blow… Read More »Eri Silk, spinning on a top whorl spindle
Fibre Prep: This post is a nod to my friend Marjorie, who nudged me to present this topic sooner rather than later. Yet another defining moment for me was when I realized I did not need to spin from a fibre preparation just the way it came. Many spinners tout… Read More »Defining Moment #5